My New Drumset

Wednesday 30 April 2008 9:08 pm

Around a decade ago, I was introduced to Orange County Drum and Percussion via the playing of my favorite drummer, Chad Sexton of 311. In particular, I was drawn in by the snare drums. OCDP makes these vented snare drums, generally around 20-ply maple with 4 2″ holes, meaning they are extremely loud.

I vowed those many years ago that someday I would finish my bachelor’s degree, I would finish my PhD, I would get a good job, and then, finally, I would buy that drumset I wanted. So last April, I placed an order for the new drumset, knowing it was going to take a long time to get. Let’s just review the time line for getting this drumset:

  1. April 4: Initial payment for drumset is cashed
  2. July: Have not yet receieved paint samples for drumset. Turns out they were lost in the mail.
  3. August: Receive paint samples and choose one.
  4. September: Still no drumset.
  5. October: Still no drumset.
  6. November: Still no drumset.
  7. December: Still no drumset.
  8. January: Still no drumset.
  9. February 13: Drumset finally makes it to the east coast.
  10. February 17: I pick up the drumset only to find out they forgot to make the 13″ drum.
  11. April 12: Missing drum finally arrives!

So after one year, one week, and one day, I get my entire dream drum kit. It has been an absolute blast to play. For starters, here is a schematic of the new kit:
OCDP Kit

Drums: Orange County Drum and Percussion in Candy Burgundy

  1. 6.5″ x 14″ snare drum
  2. 12″ x 14″ tom
  3. 6.5″ x 14″ vented snare drum
  4. 10″ x 12″ tom
  5. 9″ x 10″ tom
  6. 18″ x 22″ bass drum
  7. 11″ x 13″ tom
  8. 14″ x 16″ tom

Hardware: Tama, including an Iron Cobra double pedal

Sticks: Pro-Mark hickory 707 wood tip

Heads: Remo: Coated Emperors on all tops except A (Coated Ambassador), Clear Ambassador on tom/snare bottoms, Powerstroke3 on bass drum

     Cymbals: Zildjian

  1. 6″ Zil-Bel
  2. 14″ A Custom Hi-Hats
  3. 18″ A Custom Medium Crash
  4. 20″ Oriental Classic China
  5. 16″ A Custom Crash
  6. 8″ A Custom Splash
  7. 11″ Oriental Trash Splash
  8. 17″ K Custom Dark Crash
  9. 22″ A Ping Ride
  10. 20″ K Pre-Aged Dry Light Ride
  11. 19″ K China
  12. 9.5″ Zil-Bel

Auxiliary Percussion: LP

  1. Tri-Bells
  2. Large Jam Block
  3. Tambourine

You can also look at several pictures of my new toy. If you hear some loud banging in the evenings, you know it’s just me!

Best of SXSW

Monday 17 March 2008 9:13 pm

When Milind moved to Austin, TX, we said that it would be a great idea for me to come down and enjoy SXSW. Last year, I wasn’t able to go because I was in the middle of training and couldn’t leave my desk, let alone the city. This year, however, I did actually make it. Our schedule for three days straight was basically this: get up at 11:30am, get to downtown by around noon, party and listen to music until 2am, go home and sleep and do it again. In our time there we saw about 25 acts. I was amazed by the consistent good quality of the bands there. Rather than give you a full description of of every band we saw, I’ll just give you what I see as my “best of.” If you can make it down next year, I highly recommend it.

  • Best Show:The Whip. This band out of Manchester, UK put on a simply spectacular show. Kind of electronica/dance/rock. Extremely high intensity. Their album came out in the UK on March 24. Luckily, you can find it on iTunes.
  • Second-Best Show: Delorean. This electronica/dance band out of Spain was our first show of the festival. We were lucky to have wristbands, as people without them or badges were not allowed. Was a high-energy start to our festivities.
  • Best Cover That Wasn’t Really a Cover: “Guerrilla Radio” performed by Tom Morello. Why is it that Rage Against The Machine songs done in a completely different way work so well? Tom Morello prefaced this song by saying it was a song of revolution that has been sung throughout history. As he’s strumming along on his acoustic guitar playing this very nice, folky song, he sings “more for Gore or the son of a druglord…” It is at that moment that I realize what he is singing and I stare in amazement. Song was complete with a harmonica solo.
  • Most Pervy Performance: Son of Dave. Former Crash Test Dummies member in a smoking jacket with an array of harmonicas, a loop machine, and a microphone by his foot. A little into the show, he says he’s getting lonely, so he invites a couple of people up on stage to sit next to him while he takes off his jacket and mentions it’s getting a little “pervy in here.”
  • Most Awesome/Awkward/Random Show: YB. We see a disproportionally large number of Asian people waiting in line. Hoping we might find some Jpop, we walk in. Instead, we get to see Korea’s most popular rock band. It seems they have already sold over 2 million records. The show was basically a history of the last 50 years of American rock as they moved through many different styles. They thankfully skipped disco. Most people in the audience were singing along in both English and Korean. Only felt slightly out of place.
  • Band Member Most Likely to Get Me Slapped By Randa or Make Me Feel Inappropriate: The cellist from Ra-Ra Riot. Nothing more to say on this one…
  • Craziest Live Performance: Foxy Shazam. Keyboard player continually jumped on top of his instrument. I’m also pretty sure his sideburns have their own zip code. Of the albums I’ve purchased since going to SXSW, this is probably the one I’ve listened to the most.

Just for the sake of completeness, here is a list of just about all the bands we saw: Delorean, Peel, Saul Williams, Scouting for Girls, Foxy Shazam, Sixpence None the Richer, Black Before Red, Elevation, YB, Son of Dave, DJ Rekha, Tom Morello, Serj Tankian, Billy Bragg, Ben Harper, Ra-Ra Riot, Le Loup, Oz.Eagle.Lion.Man, In Case of Fire, The Cribs, Sia, NERD, Manis, The Whip, Rascals, The Wombats, James Yuill, The Teeth, X.

Soundtrack to My Life

Sunday 24 September 2006 10:08 pm

Over the years, there have been songs that have deep associations with times in my life. They are songs that spark distinct memories from the unbelievable highs and the depressing lows. This is a list of songs I prepared a couple of years ago with some more recent additions thrown in. I also have descriptions of the moments associated with each, but I’m choosing to leave those out, as I think they are a little personal. Nevertheless, I present to you the soundtrack to my life in chronological order.

Early years

  • Gary Lewis and the Playboys - This Diamond Ring
  • Harry Belefonte - Scarlet Ribbons
  • The Beach Boys - Kokomo
  • TLC - Ain’t 2 Proud 2 Beg
  • Snow - Informer & P.M. Dawn - I’d Die Without You
  • Arrested Development - Tennessee
  • Pearl Jam - Animal

High school

  • Live - Selling the Drama
  • Stabbing Westward - Don’t Believe
  • Dream Theater - A Change of Seasons
  • Led Zeppelin - Stairway to Heaven
  • The Cardigans - Lovefool
  • Nirvana - School
  • Candlebox - 10,000 Horses

College

  • Finger Eleven - Costume For A Gutterball
  • Eve 6 - Superhero Girl
  • Marillion - Man of a Thousand Faces
  • Tool - Ænema
  • Emily’s Toybox - Bionic
  • Fuel - Last Time
  • Pearl Jam - Yellow Ledbetter
  • Caroline’s Spine - Inside Your Mind
  • BNG & Kamal - Covered in Lime
  • Pearl Jam - Rearviewmirror
  • Live - Dance with You
  • SOBs - Negative Time
  • Incubus - Pardon Me
  • Kylie Minogue - Love At First Sight
  • Matchbox Twenty - Bent
  • Our Lady Peace - 4am
  • Matchbox Twenty - Long Day

Graduate school

  • The Nixons - Sister
  • Jason Mraz - The Remedy (I Won’t Worry)
  • Zephyrologie - Killing in the Name
  • The Ataris - San Dimas High School Football Rules
  • Axum - The Waiting
  • Jennifer Lopez & Ja Rule - I’m Real
  • Sponge - Live Here Without You
  • Gavin DeGraw - More Than Anyone
  • Sevendust - Face to Face
  • Cold - Just Got Wicked
  • Incubus - Leech
  • 30 Seconds To Mars - Attack
  • Maroon 5 - Through With You
  • Holly Brook - Curious
  • lostprophets - Rooftops (A Liberation Broadcast)

A Song For My Fellow Interns

Wednesday 6 September 2006 9:07 pm

Facebook is currently offering 25 free song downloads per week from the iTunes Music Store. I’ve managed to get the last five weeks worth, including a hardy dose of rock, alternative, hip-hip, and electronica. Of course, even though I had downloaded the songs, I managed to listen to none of them. Today, I chose to remedy that problem by taking 100 of the songs with me to work on my SLVR with the goal of listening to as many of them as possible. I figured it was a good time to sample some new music. There were some good songs in the mix and some really bad ones, too.

However, one song caught me very quickly and made me realize how soon I leave Intel and California. I’ve had the opportunity to meet some really cool people this summer. No doubt that I will remember fondly many of the experiences I’ve had here: kayaking in Monterey, skydiving, movie nights…the list goes on. It is my hope that I will stay in touch with the other PSL interns I met who have helped make this summer so memorable.

With that, I send the song “Rooftops (A Liberation Broadcast)” by Lostprophets to my fellow PSL interns. I wish you all of the success and happiness this world has to offer. Please stay in touch!

When our time is up
When our lives are done
Will we say we’ve had our fun

Will we make a mark,
this time
Will we always say we tried

Standing on the rooftops
Everybody scream your heart out
Standing on the rooftops
Everybody scream your heart out
Standing on the rooftops
Everybody scream your heart out
This is all we got now
Everybody scream your heart out

All the love I’ve met
I have no regrets
If it all ends now, I’m set

Will we make a mark,
this time
will we always say we tried

Standing on the rooftops
Everybody scream your heart out
Standing on the rooftops
Everybody scream your heart out
Standing on the rooftops
Everybody scream your heart out
This is all we got now
Everybody scream your heart out

Standing on the rooftops
Wait until the bombs drop
This is all we got now
Scream until your heart stops
Never gonna regret
Watching every sunset
We’ll listen to your heartbeat
All the love that we found

Standing on the rooftops
Wait until the bombs drop
This is all we got now
Scream until your heart stops
Never gonna regret
Watching every sunset
We’ll listen to your heartbeat
All the love that we found

Scream your heart out
Scream your heart out
Scream your heart out
Scream your..

Standing on the rooftops
Everybody scream your heart out
Standing on the rooftops
Everybody scream your heart out
Standing on the rooftops
Everybody scream your heart out
This is all we got now
Everybody scream your…

More CDs You Should Consider Getting

Wednesday 14 June 2006 9:54 pm

I picked up three new releases last week, all of which are excellent and highly recommended. The first one is Live’s new release Songs from Black Mountain. This album represents some of Live’s best work to date, and that is saying a lot given how amazing their albums consistently are. Some have been complaining that the band have become too much pop and not enough rock. However, I think they are maturing as band and writing some happy tunes, some of which echo back to the acoustic-drive Mental Jewelry days. While listening to them in my cubicle, I can’t help but sway back and forth to the music. Standout tracks include “The River,” “Show,” “Sofia,” and “Where Do We Go From Here?”.

The next album is Holly Brook’s debut album Like Blood Like Honey. This girl can write some very emotional songs. You have probably already heard her on the song “Where’d You Go” by Fort Minor. I was completely taken by her voice when I first heard that song and was eager to get her album when it came out. The album does not disappoint, offering songs with deep lyrics delivered by a hauntingly beautiful voice. Highlights include “Giving It Up For You,” “Curious,” and “Saturdays.”

The final album concerns me that my music tastes are becoming more accommodating of emo. I used to dislike emo immensely. I still do dislike crappy emo a great deal (which describes about 95% of it). However, my recent acquisition of The All-American Rejects album has now been complemented with AFI’s Decemberunderground. Hardcore AFI fans are up in arms that the band has sold out, mellowed, become too commercial, embraced too much goth and new wave, and generally lowered themselves to the level of other punk/pop/emo bands. Apparently, the band used to be a hardcore punk band or something like that. Before buying this album, I decided to check out some of the older stuff. I was not impressed. However, I could not get their new single, “Miss Murder,” out of my head for three days straight. Originally, I was just going to buy this single on iTunes, but then decided to give the rest of the album a listen. I went out and bought it immediately. Yes, this album does embrace new wave and has some emo tendencies, which scares me to some extent. I generally dislike 80s-new-wave-inspired music and emo, but this album captivates me. The album is a well produced work with very diverse influences. The songs range from emo to new wave to straight-up punk. (hmmm…is that really diversity?) In any event, I’d say AFI’s new album represents some of the best music in this genre. Favorite tracks of mine are “Kill Caustic,” “Summer Shudder,” “Love Like Winter,” and “37mm.”

So those are my music recommendations for you!

A Number of Random Things

Wednesday 3 May 2006 9:55 pm

A few different things are in my mind, so I thought I’d just talk about all of them. First of all, it is going to be one busy summer. I’m headed off to California in two weeks for my internship at Intel. Big thanks to Polly for offering to share a place this summer and then finding said place. This summer is also going to include three trips to Europe to present four conference papers. Dexter and I have been very fortunate with paper acceptance this semester, with two papers we wrote together accepted, one to MPC in Estonia and one to RelMiCS in Manchester, UK. I have a second paper in RelMiCS, as well as one in MKM in Wokingham, UK (this would be the conference Terese and I had a paper in last year). I have to say that it is a great feeling going four for four on papers this semester after having some droughts in previous years.

Secondly, and completely unrelated to my summer, is the fact that I bought some new CDs yesterday. The primary of these purchases was Tool’s new one called 10,000 Days. This album wins for greatest packaging ever. First of all, the work is all done by Alex Grey, my favorite artist. All of you in New York City (Chethan, I’m looking in your direction) need to go see his Chapel of Sacred Mirrors. The artwork itself is not what separates this albums from others. No, the awesome thing is that this album artwork contains pairs of images that, when viewed with the attached stereoscopic glasses, appear 3D. Truly mind-blowing. The music itself is also growing on me very quickly.

I also picked up the latest Pearl Jam album. It has been heralded as the return of Pearl Jam to their roots, however, the album has not really struck me as that special yet. The last CD I got was Move Along by The All-American Rejects. I have been enjoying this album immensely. Shit, am I in danger of becoming emo kid? My hope is that this is not the case.

Finally, why is it that no one at Cornell or in Ithaca who wears a Penn State shirt actually went to Penn State? Whenever I see such a shirt, I like to ask its wearer if he attended the school. So far, no one I have asked actually has gone to the school. The most popular response is “no, I just like the football team.” The most legitimate response came from Meredith, who is from the central PA area and has a family member who teaches at Penn State. The amusing thing is that when I tell those with Penn State attire that I actually did go to school there, I can see that some of them suddenly feel like a fraud for wearing the shirt.

Perhaps the solution to this problem is for me to wear a Penn State shirt (I think I have one around here somewhere) and let people who went to the school come up and ask me if I went there. I can respond, “yes, I did my undergraduate work there.” Then we can reminisce about good ol’ PSU and take comfort in knowing that someone else who wears blue and white knows that Penn State is more than the football stadium.

Live Concert: 12 Years of History

Sunday 23 April 2006 10:31 pm

I just got back from the best concert I’ve seen in quite some time. It was certainly the best of the six Live I’ve seen. The boys from York came to Penn State for the first time in about five years to play the Bryce Jordan Center.

Let me first explain my history with the band Live. This is a band I have seen in concert at many of the pivotal moments of the past twelve years of my life. Live was the first concert I ever saw, when I was in my first year of high school. Back then, bands could play Rec Hall and tickets were first available to people with Penn State IDs. Luckily, my mother working at Penn State allowed me to get tickets, which was a big deal to a fourteen year old kid. Ignoring my parents’ instructions, I went down to the general admission section (what we called “the pit,” back in those days) and rocked out to Live shortly after Throwing Copper came out and before it really blew up with the single “Lightning Crashes.” It was the first of many shows I would see in my life.

Live was also there when I moved to Ithaca and started grad school right before Birds of Pray came out, when the song “Heaven” was still called “Hell,” as I recall.

Live also has associations with three of the last four girls I have dated, including my first relationship to last over a year. If you are reading this, don’t worry, ladies, no single Live song was associated with more than one of you. The song “Dance With You” in particular reminds me of a moment I was caught in at that Live show in 2000.

So all of that history leads me to the show tonight. Lee and I waited patiently on the floor of the Jordan Center, set up in the much preferred side stage configuration, for Live to come out. Shows at the Jordan Center are always plagued by waiting at least half an hour between the opening act and the headliner. It was interesting to note that the crowd was diverse with regard to age. I think Live is one of those bands that will date me at some point, as they will be around for a long time and I can say I remember them back in ‘94. Some of these damn kids at the show were probably still unable to read back when Throwing Copper put Live on the music map.

The lights dimmed and some music started over the loud speakers for atmosphere. The band entered the stage and with a few clicks of Chad Gracey’s drumsticks, they blasted into “All Over You,” a song they often like to start with. At that moment, I already realized that this was going to be one spectacular show. Towards the end of the song, we all got to sing: “our love is like water, pinned down and abused for being strange…”

The band members looked really excited to be there, particularly the guitarist Chad Taylor, who, along with James Black from Finger Eleven, I find to be the coolest looking guitar player out there. “All Over You” was followed by the first Live single from Throwing Copper, “Selling the Drama,” which was the first Live song I ever heard (and fell in love with immediately). I will now, in a format championed by some friends, go over some of the show’s highlights.

  • The version of “Lakini’s Juice” was just…wow. It was absolutely rockin’. I have never heard the song sound that good.
  • Before the concert, I thought to myself, “what is one song I’d like to hear that I haven’t heard them play in awhile?” The song that came to mind was “Iris.” As I’m standing there at the show, I hear that distinctive guitar chord followed by the run of bass notes that leads to “I liked the way my hand looked on your head.” They played it! The song I was hoping to hear, they played. And they played it damn well.
  • The songs from the new album, Songs From Black Mountain sounded like some of the best work Live has done, and that is saying a lot, as they have done some fine work. Four songs from the album made their way into the set list, including “The River,” “Mystery,” “Sophia,” and “Show.” No doubt I will be picking up the new album when it comes out on June 13.
  • “The Dolphin’s Cry,” a song that has found itself with certain associations in my head was great, with the audience singing along to every word. “Heaven” was the same way, with Ed saying “I look at my daughters and I believe,” reflecting the latest addition to his family. I wonder what he would have done if his second child had been a boy….
  • I turn to Lee after the first song of the encore, and said, “You know what would be cool? A song from ‘Mental Jewelry.’” Ask and ye shall receive, in the form of “Beauty of Gray.” Ed is right, we do all need some gray in our lives.
  • After two songs in the encore, a chant of “Shit Towne” rose from the audience. A couple of the band members laughed and then Ed signaled for an electric guitar (this is the only song on which he plays electric these days). “This song is a request from the front row,” he says. And why shouldn’t they play it? After all, last time they were in State College, they said the song was about our town.
  • Before and during the last song, “White, Discussion,” Ed led the audience through a chant of “We Are”…”PENN STATE!” He seemed truly blown away by the volume level the crowd reached, remarking, “you have to hear that from up here once in your life.” He then invited a member of the audience up on stage just to do that. Mike seemed to enjoy getting a chance to stand on stage with such greats of rock music, exchanging high fives with a few of them before walking off stage.

I came out of this show saying simply, “ummm…wow.” It ended all too quickly, but it was just the energization I needed. Live has never disappointed in the six times I’ve seen them, and I hope I get to see them six more times. I do recommend you pick up Song from Black Mountain when it comes out June 13. Until then, if you reading this own any Live, listen to one of their songs right now.

A Drummer’s Logic

Saturday 21 January 2006 6:34 pm

Follow me, if you will, through the mindset of a drummer deciding to buy new drum heads:

“Well, I really liked that Evans EC2 head Phil had on his drumset. It seems that I should put them on my toms.” Cost so far: $66.

“And while I’m at it, the snare batter head is getting pretty beat up. I should probably replace it, too. That Evans St Dry head looks to be exactly the kind of sound I want, especially compared to my current head.” Cost so far: $80.

“Hmmm…while I’m at it, I might as well replace the bass drum batter head. That Evans EMAD head is getting very positive reviews and drummers I like with very nice sounding bass drums use it. I should get one.” Cost so far: $117.

“Oh, I also need a patch for the bass drum head so I don’t break it.” Cost so far: $122.

“Oh, oh, the head on the bottom of my snare drum has never been replaced. That means it’s been on the drum for 10 years! I should get a new one, while I’m replacing heads.” Cost so far: $132.

“Now that I think about it, I can’t have Evans drumheads everywhere else on my drumset and have Remo heads on the bottom of the toms. I mean, isn’t the best way to ensure compatibility and good sounding drums to use the same brand on the top and bottom of the drum? I’d better get those G1 heads for the bottom of my toms.” Total cost: $175.

My Favorite Songs of the Year

Saturday 31 December 2005 3:20 pm

I have been known in the past to put up lists of my favorite albums released in a year and talk about them. This year, I thought I’d do something a little different. What follows is a list of my favorite songs from the year, in no particular order. Not all of these are singles; they are simply my favorite songs from albums I have purchased and enjoyed in the past twelve months. I would recommend any of these albums in their entirety. However, if you feel like getting just one song, you can follow the links to preview and/or buy them from the iTunes Music Store.

  • 30 Seconds To Mars - “Attack” (from A Beautiful Lie): I first hear “Capricorn” by 30 Seconds to Mars and enjoyed that song from their first album. But the rest of the album didn’t impress me too much. This song grabbed me much more than “Capricorn” did and I find the album to be quite spectacular. This first single mixes electronic sounds and raw rock energy to create a powerful song. The drummer also has a unique perspective on time that adds a lot to the album.
  • 311 - “Frolic Room” (from Don’t Tread on Me): 311 has consistently released awesome music. I also recommend seeing them live, if you get the chance. Their latest album has a distinctly more reggae sound to it than previous works. Normally, I really dislike reggae, but 311 has a way of rocking it out in ther typical style that makes it very enjoyable. “Frolic Room” is the best example of the mix of reggae, funk, and rock on the album.
  • Dark New Day - “Pieces” (from 12 Year Silence): I’ve already talked about the Dark New Day album. Nice, straight up, loud rock music.
  • Eisley - “Lost At Sea” (from Room Noises): Eisley is just a gem of a band that has come out recently. I find their sound to be unique and great music for when you are in a happy, carefree mood. Lovely and hypnotic.
  • Fort Minor - “Remember the Name” (from The Rising Tied): Mike Shinoda of Linkin Park proves to be a creative hip hop force on his solo debut. The beats on this album are fresh and exciting. This song in particular grabbed me the first time I heard it. How many hip hop groups do you know who take three string players out on tour to authentically reproduce the music on the album? Incidentally, the percentages rapped about in this song do add up to 100. I’d say that makes Mike Shinoda pretty lyrically adept.
  • Idlewild - “Love Steals Us From Loneliness” (from Warnings/Promises): Idlewild is the best band you’ve never heard of. Chethan will back me up on their awesomeness. The latest album demonstrates a slightly softer side of the band that has come a long way from their early days as a pretty bad indy/punk band. This song, the first single from the album has the crunchy guitars and interesting lyrics (”Don’t tell me you’re afraid of the past/It’s only the future that didn’t last”) for which they are known.
  • Jason Mraz- “Song For A Friend” (from Mr. A-Z): While this album is not as impressive as Mraz’s first one, it still has some stand out tunes like this one. Clocking in at 8 minutes, it’s also quite a long track for a pop album. After getting quiet for a time in the middle of the song, it kicks into this beautiful and inspirational climax for the end of the song.
  • Maroon 5 - “Wasted Years” (from Live Friday the 13th): Without a doubt, the new track featured on this live album is my favorite Maroon 5 song. It has a funky feel to it from the moment the drums and keyboard drive the tune at the beginning.
  • Nine Inch Nails - “With Teeth” (from With Teeth): Trent Reznor is a musical genius. He finds new and creative way to turn sounds that are ugly individually into unbelievable songs. The new album is much more straight ahead than his last effort, The Fragile, which is an awesome album. The title track off of With Teeth has a beat I find interesting and have trouble getting out of my head after listening to it.
  • Sevendust - “Pieces” (from Next): I already talked about this song. Wow, it is loud and amazing. Listen in particular for the the measure in the middle when the drummer screams the words “You’ll know” over a pounding double bass drum roll.
  • System Of A Down - “Hypnotize” (from Hypnotize): Much has been said about the Mesmerize/Hypnotize set of albums released by this band this year. System has really put forth the best work of their careers. The first single from the second album they released this year contains all of the classic System of a Down traits: unique songs that change in unexpected ways with intriguing vocal harmonies.

Joel Baines Trio show!

Thursday 1 December 2005 11:04 pm

The Joel Baines Trio, the band Dexter and I play in, have a show Saturday night at 9pm at the Fisherman’s Pub. We’ll be playing mostly modern rock tunes for the night. We even have a special guest singer with us, Stephanie May, who will belt out some classic songs. There will be no cover for the show, so bring all of your friends and celebrate the end of Cornell classes with us!

The Fisherman’s Pub is located at 323 Taughannock Blvd. (Old Taughannock Blvd., actually) , between Castaways and Kelly’s.

So to summarize:

What: Joel Baines Trio show with Dexter and me
When: Saturday, December 3 at 9pm
Where: Fisherman’s Pub, on Old Taughannock Blvd.
Why: Rock ‘n Roll!

If you’ll be in Ithaca that weekend, hope to see you there!

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